It is the near future, a future where murders have become so common, that a system had to be established. This system is called "Precrime", where 3 psychics can predict murders before they happen. Allowing police to stop the murders. This system is in production in Washington D.C. Where police officer John Anderton (who lost his son to a murder 6 years previous) has stopped numerous murders in his career. One day, he found out that he is the next person to commit a murder. Now, he is running away from a system he helped become successful, and trying to find out why he was set up to commit murder.
In the year 2054, a so-called "pre-crime division" is working around Washington, DC. Its purpose is to use the precog(nitive) potential of three genetically altered humans to prevent murders. When the three precogs, who only work together, floating connected in a tank of fluid, have a vision, the names of the victim and the perpetrator as well as video imagery of the crime and the exact time it will happen, are given out to the special cops who then try to prevent the crime from happening. But there is a political dilemma: If someone is arrested before he commits a murder, can the person be accused of the murder, which - because of the arrest - never took place? The project of pre-crime, at the time being in a state of trial run, is going to be voted about in the near future. If people accept it, the crime rate is going to drop drastically, but it never will be known if there might not be too many people imprisoned, some or even all of them innocent. After John Anderton lost his son to a crime a six years ago, he took up drugs, and works the precog division like nobody else. One day, his own name arrives in the "perpetrator" chute, and the precogs predict that he will kill a man he never knew in less than 36 hours. John takes off, his trust in the system diminishing rapidly. His own colleagues after him, John follows a very small trace that might hold the key to his innocence, a strange unsolved yet predicted murder and a so-called "minority report", a documentation of one of the rare events in which a precog sees something different than the other two.
I&#39;ve read several PKD novels, and let me tell you, they are an excellent challenge. Insightful, dark, ambiguous (amTRIguous?)and ultimately humane. Sometimes his work seems deliberately unclear, but it is never short of compelling.<br/><br/>With Minority Report, Mount Spielberg has created a film of consummate craftsmanship. Noir bathed in light and white all over. Wow! Sort of the negative print of Blade Runner. Nothing escaped Spielberg&#39;s attention, not the minutest detail, nor texture nor athmospheric. A very convincing representation of the Police State that the United States could become (remember how everybody got face-scanned at the last Super Bowl?). The choreography and pacing of action sequences are, yet again, masterful and fresh; credit must be given to Spielberg for consistently pulling this off, year in and year out. <br/><br/>Which reminds me: What a travesty it was to integrate the Schwarzenegger Element to another PKD project: Total Recall. The plot reflects PKD&#39;s forte: the permutation of ideas both visionary and unexpected. However, the wishy-washy ending torpedoes everything that the rest of the film stands for. What could have been a great film becomes merely a good one, because of the saccharine aftertaste.<br/><br/>The factor that makes Blade Runner great is its conviction to bring forth the true spirit of PKD to the very end, to its logical lack of conclusion. Many people remember that Blade Runner hit the screen in 1982 with an infamous watered-down ending, patched in at the prompting of studio executives, a sort of commercial bowdlerization, and a woeful mistake long since corrected.<br/><br/>Now, Mount Spielberg has here shown yet again that he cannot help but to bowdlerize himself. Could somebody please tell this man to stop pushing the same blatant sentimentality buttons that served him (and us) well once upon a time, once or twice? And that goes double for Mr. Cruise.<br/><br/>&quot;It&#39;s too bad she won&#39;t live, but then again who does?&quot;
I made the mistake of not getting the soda and popcorn before the movie started, waiting for a slow moment. I guess the last Star Wars boredom-fest made me expect that.<br/><br/>No way! I waited 15 minutes before giving up. There is NO break, the movie just goes. And the great thing is, you&#39;re not really sure exactly where. Spielberg rules.
Few directors are capable of marrying ideas and entertainment&#151;one is often sacrificed for the other&#151;but Spielberg peppers one gripping action setpiece after another with trenchant details about a near-future robbed of the most basic freedoms and privacy.
Schubert Conducted by Carlos Kleiber Performed by Die Wiener
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